Author: Alan Dean Foster
First Published: 1979
Pages: 187pp
Publisher: New English Library
Not currently available in eBook format
Alan Dean Foster was busy between 1978 and 1980. Not only did he pen the adaptation of Disney's film, The Black Hole, but he was also responsible for adapting Star Trek Log Ten, Aliens and George Lucas's undeveloped treatment for a potential sequel to Star Wars, Splinter of the Mind's Eye. He was also probably considering novelisations of Clash of the Titans and Outland as well as working on titles in his Icerigger trilogy and Humanx series.
All of this work might be how Foster likes to occupy himself. Perhaps he thrived upon a busy schedule forcing him to deliver the goods. But similarly this might be the reason that his effort here is rather lacklustre? There is no denying that the source material for The Black Hole doesn't exactly set the world alight with its plot. I have not watched the film since finishing the book, to be frank- it put me off watching it completely. If Foster followed the script religiously (I don't think he did, at least in one particular key death scene his description is significantly different), then the pacing of his source material was seriously flawed from the outset. His only recourse would have been to inject new scenes to add some much needed tension and conflict. I don't think he did, whether due to indifference or lack of time, we'll never know.
The Black Hole was produced by the Walt Disney organisation. It had a long history in their archives - originally being conceived in the early seventies by writers Bob Barbash and Richard Landau as an answer to the current trend of disaster films like The Poseidon Adventure and The Towering Inferno. After a few failed attempts to develop the idea, Star Wars hit cinema screens across the world Disney scrambled around for a Sci-fi idea to produce in response to the demand for more space-bound adventures.
Publisher: New English Library
Not currently available in eBook format
Alan Dean Foster was busy between 1978 and 1980. Not only did he pen the adaptation of Disney's film, The Black Hole, but he was also responsible for adapting Star Trek Log Ten, Aliens and George Lucas's undeveloped treatment for a potential sequel to Star Wars, Splinter of the Mind's Eye. He was also probably considering novelisations of Clash of the Titans and Outland as well as working on titles in his Icerigger trilogy and Humanx series.
All of this work might be how Foster likes to occupy himself. Perhaps he thrived upon a busy schedule forcing him to deliver the goods. But similarly this might be the reason that his effort here is rather lacklustre? There is no denying that the source material for The Black Hole doesn't exactly set the world alight with its plot. I have not watched the film since finishing the book, to be frank- it put me off watching it completely. If Foster followed the script religiously (I don't think he did, at least in one particular key death scene his description is significantly different), then the pacing of his source material was seriously flawed from the outset. His only recourse would have been to inject new scenes to add some much needed tension and conflict. I don't think he did, whether due to indifference or lack of time, we'll never know.
The Black Hole was produced by the Walt Disney organisation. It had a long history in their archives - originally being conceived in the early seventies by writers Bob Barbash and Richard Landau as an answer to the current trend of disaster films like The Poseidon Adventure and The Towering Inferno. After a few failed attempts to develop the idea, Star Wars hit cinema screens across the world Disney scrambled around for a Sci-fi idea to produce in response to the demand for more space-bound adventures.


